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The effect of all of this is that we’re increasingly distracted. Less and less able to pay attention to anything for what used to be reasonable length of times.

is one of the most sought after violinists of her generation.  Her ability to captivate audiences with her innate musicianship and dynamic presence, coupled with her wide appeal as a high profile advocate for classical music, has made her one of the most influential classical artists of today. With concerto performances at the heart of her career, Nicola is in much demand with major orchestras and conductors across the globe. Nicola began the 2015/16 season by embarking on a tour of the UK and Dublin’s leading concert halls performing a personally curated programme together with a specially formed ensemble. The programme featured Vivaldi’s »Four Seasons« and the World Premiere of a work by Mark-Anthony Turnage written for Benedetti and cellist Leonard Elschenbroich. The commissioning of new works continued with the World Premiere of Wynton Marsalis’ Violin Concerto with the London Symphony Orchestra written especially for Nicola. The first performance of this concert in Germany was with the Gewandhausorchester zu Leipzig in November 2016. Other concerto performances include engagements with the Israel Philharmonic, Verdi Orchestra Milano, RSO Stuttgart, City of Birmingham Symphony Orchestra, Royal Scottish National Orchestra, Scottish Ensemble, BBC National Orchestra of Wales, National Arts Centre Orchestra Ottawa, Vancouver Symphony Orchestra, Minnesota Symphony Orchestra, New Zealand Symphony Orchestra and Tasmania Symphony Orchestra. This season will also see Nicola continuing her passion for music of the Italian Baroque and historical performance realised in collaborations with Andrea Marcon with the Manchester Camerata and WDR Cologne. Born in Scotland of Italian heritage, Nicola began violin lessons at the age of five with Brenda Smith.  In 1997, she entered the Yehudi Menuhin School, where she studied with Natasha Boyarskaya.  Upon leaving, she continued her studies with Maciej Rakowski and then Pavel Vernikov, and continues to work with multiple acclaimed teachers and performers. Nicola plays the »Gariel« Stradivarius (1717), courtesy of Jonathan Moulds.


Tu darmstadt singles

Tu darmstadt singles